Is there any way to announce a consideration of Johnny Guitar other than the now famous Jean-Luc Godard quote about Nicholas Ray being “cinema”? Famously, the director expressed that Ray was among the first, if not the first, American auteurs to do with cinema as only cinema could, taking up the poetry of dialogue and the untarnished, painterly quality of art and the distant timelessness of theater and encircling them with the vulture of film, engorging itself on the carcasses of other mediums and ensuring they lived on, in altered, transmuted form, inside cinema.
Godard’s quote is a touch too heated (I’ll take to my grave the thought that Nicholas Ray is among the most underrated auteurs Hollywood ever produced, but that he was the first true advocate of “cinema” is a much more difficult proposition). Certainly, however, Ray’s films always felt more alive with pulsation, even in their embalmed detachment, than those of many other auteurs. And Godard naturally felt the love due to Ray’s unparalleled work in genre as a means of classifying social incoherence and expressing differing views of humanity’s own artifice. If he wasn’t the first true cinematic visionary, he was up there with the greats of his or any other time. Continue reading