Meant to upload this when BlacKkKlansman was released late last summer, but honoring Lee’s long-delayed, much-deserved nomination for Best Director at the Academy Awards (even for a film I wasn’t crazy about) seems as good a reason to post this as any!
On the surface, Spike Lee’s 25th Hour vibrates with a haunted, hushed sense of gloom that begets genuine introspection, a sensibility of almost Bressonian sangfroid which thoroughly and contrapuntally rejects the bristling, sharply corrugated kinetic energy of Lee’s most famous films, hot and sweaty works that might melt the wounded 25th Hour on contact. But this most guarded film, by Lee standards, radiates its own intensity, a kind which, through its comparative silences, rejects the usual charge that Lee’s orientation is all bluster hawking snake-oil. Even Lee’s most scrambled, inelegant films have an internal coherence, and, conversely, the ostensibly calm and collected – even too conspicuously composed – 25th Hour only seems sure of itself; its comparative restraint belies a severe inner anxiety about both the value of personal self-observation in the face of consequence and the relationship between self and the wider nation.
Because, as Lee (never the most muted of filmmakers) makes apparent from the get-go, his protagonist’s ostensible assurance, inescapably masking apprehension, in turn signals, or at least rhymes with, director Spike Lee wrestling to cope with a now-lesioned New York after 9/11 in this, his more direct but also knottiest tribute to his home-city ever. Like any Lee film, it’s more sinuous than subtle when it comes to exorcising the directors demons, and the film’s meditations on mourning the phantom of the past – not to mention the dialectics of personal and national, private and political tragedy – are immediately apparent in the opening credits, which hover over the absent World Trade Center, spectrally approximated as an after-image in the form of the “Tribute in Light” commemoration which here evokes not triumph but the Towers as a kind of phantom-limb. Continue reading