Tag Archives: Hungarian Cinema

Film Favorites: Werckmeister Harmonies

Béla Tarr’s Werckmeister Harmonies opens with an ebullient, maddening, playful, oblique, and altogether disconcerting cinematic treatise on chaos and order in the modern age: a group of men in a bar tentatively organized into a disassembled, flat-footed ballet that approximates with gusto and drunken flair the orbiting of the planets around the sun. It is a fully alive, alert gesture of cinematic visualization, and a humble one; for the maddening questions Tarr is known to cryptically tackle, he lays his meditation bare in this opening scene. The universe, he wants us to know, may be fundamentally chaotic, may be fundamentally ordered, he doesn’t know, and he wants to find out. Continue reading