Tag Archives: Jean-Pierre Melville

Pop!: Le Samourai

First, a pre-review: An inherent bias precedes the Pop! feature here, a bias toward American film. There are a variety of reasons for this. The first, honestly, is that part and parcel with the feature is the idea that American pop was a curious beast during this particular decade, and that the evolutions in pop filmmaking are perhaps the only meaningful ones found in that decade of American film. Drama was a wasteland, and the Europeans and the Japanese were doing wonders with experimental cinema during the decade. As for the Americans, absurdism and non-narrative surrealism, and the larger experimentation with film form and storytelling that permeated from those world trends, were diluted into popular genre cinema for playful mass entertainment (mass entertainment being what America does best, after all).
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