Tag Archives: Kubrick

Film Noirs and Cinematic Scars: The Killing

Edited and Updated Mid-2016

It’s perhaps fitting that The Killing, a film so predicated on control and careful positioning was brought to life by a director who lived and breathed control and precision. It is usually considered director Stanley Kubrick’s first “mature” film, something which has two meanings here. Firstly, it’s the film where we see aspects of the filmmaker’s form and style come to fruition, including perhaps his most ubiquitous care:  his love of calculated, icy cold filmmaking, perniciously-formed and rigorous like clockwork mechanics, where humans don’t much matter at all except in their capacity to move event and process forward. The Killing is the kind of filmmaking which would define his later efforts and mark him as one of the great visual masters of contempt-ravaged cinema, and it is a particularly suited film, and film genre, the noir, for Kubrick to have cut his metallic teeth on. Continue reading

Advertisements