Tag Archives: Iranian Cinema

Stocking Stuffer Reviews: A Separation and Locke

Edited April 2016

A Separation

Right as Abbas Kiarostami seemed to leave the once-proud Iranian cinematic world behind for international super-stardom, Asghar Farhadi surges forth like a bullet into the international cinematic hierarchy and tells everyone to look Iran’s way for some of the most daring narrative cinema being produced today. A Separation is as close to a perfect film as I’ve seen in years, exasperatingly constructed with the heft and storytelling grit of a classic drama out of the ’60s European New Wave. Harsh and impenetrable yet warm and inviting, it unfolds with the punctilious craft of a process-driven film that captures human flesh as it struggles to be at one with the cold, angular world around it. Particular in both visual symmetry and human understanding, it marries look, sound, and feel to a scrupulous whole that just demands to be seen. Continue reading