Tag Archives: Brazilian Cinema

Un-Cannes-y Valley: Black Orpheus

Update late 2018: Watching the film again, its vaguely exoticizing view of Brazilian culture is a more important discussion point than I let on in my original review, but as is its frequently scintillating signifying on Greek drama, its navigation of the Afro-diasporic tradition of updating and reconfiguring the Western canon in ways which both appreciate and assess the immanence of European thought by exploring how applicable Western narratives may or may not be to non-European cultures. Plus, it’s intoxicating cinema. 

signifies both on the tradition of carnivalesque inversion of the world in the Carribean and … culture and on social mimicry to … and subvert white forms of …, including conjuring the spirit of classical tragedy and … to …

 

certainly a question for debate, whether … is merely essentializing, or whether, as many Negritude philosophers have debated for decades, there is a way to think-through what were once considered, in an Orientalist manner, “gifts” of … “bestowed” by the non-white world, in a way which takes seriously their critique of Western rationality and ascetic … – their denial of play, rhythm, etc – without …

Original Review:

Black Orpheus opens with a gesture that is both instantly transfixing and entirely pragmatic. A close-up in static of a classical Greek marble bas relief presented with stately respect and disquiet, and then a cataclysm of percussive instrumentation and flamboyant color from a Brazilian festival bursting through the image, almost blowing it up as we are pulled right into the vivaciousness of Brazilian culture and everyday life. It is an instantly lovable, provocative jab at the regal historicism of European art lulled into submission by the weight of relying on the past. It is a pop-art statement to the fire and enticing chaos of Brazilian life. An instant announcement that this film is not going to be your classical Orpheus myth, deriving instead from another artistic and cultural tradition entirely, one brimming with life and present-day presentational zest and movement. Continue reading